# 5 Things to Know About the Detroit Type Beat "Dirty Diana" by Kooba II A Detroit type beat built for YN Jay flows: what "Dirty Diana" by Kooba II offers, how the free license works, and how to buy the untagged file. Source: https://mmgg53.shop/5-things-to-know/ · based on the channel [Kooba II](https://www.youtube.com/channel/UClau9n5enz3yVgPuvKx1aUQ) · Video: [(FREE) Detroit Type Beat x YN Jay Type Beat - "Dirty Diana"](https://www.youtube.com/watch?v=LTis9_7nDtg) · 2026-10-22 ![5 Things to Know About the Detroit Type Beat "Dirty Diana" by Kooba II](https://mmgg53.shop/5-things-to-know/5-things-to-know.webp) ## Key takeaways - "Dirty Diana" is a Detroit sample type beat by producer Kooba II, tagged as a YN Jay type beat. - The untagged file is sold on BeatStars at https://bsta.rs/JKnG5H with a buy-2-get-1-free offer. - Free downloads are limited to non-monetized YouTube and SoundCloud use; streaming platforms require a paid lease. - Content ID registration is not allowed without an exclusive license, and credit to Prod. Kooba is mandatory. - The beat sits in the same lane as Rio Da Yung OG, Babyface Ray, Veeze and Flint-style instrumentals. A type beat is an original instrumental written in the style of a specific artist or regional scene, sold or given away for rappers to record over — and "Dirty Diana" by Kooba II is a Detroit type beat aimed at the YN Jay lane, built on a chopped sample and a bounce-heavy drum pattern. You can buy the untagged file for [the "Dirty Diana" beat on BeatStars](https://bsta.rs/JKnG5H), where the producer also runs a buy-2-get-1-free deal, or use the tagged version for free under a non-profit license. ## What makes a Detroit type beat different from a generic trap beat Detroit rap instrumentals are defined less by tempo than by swing: the drums land slightly behind the grid, the hi-hats stutter rather than roll evenly, and the low end is short and punchy instead of sustained. That off-kilter pocket is what listeners describe as the Detroit bounce, and it is the first thing a rapper checks when auditioning a beat. Producers in this scene lean heavily on sample chops — a soul or funk phrase sliced into a loop, pitched up or down, then punctuated with vocal stabs and ad-lib-sized gaps. The arrangement usually stays sparse so the vocal sits forward, which is why a Detroit sample type beat often sounds emptier than a mainstream trap beat at the same BPM. Kooba II's "Dirty Diana" follows that formula: a chopped sample carries the melody, the drums stay locked in a repeatable pocket, and the sections leave room for a rapper's cadence changes. ## How the YN Jay tag shapes the beat's design Labeling a beat as a YN Jay type beat tells the buyer which flow patterns it accommodates. YN Jay's style depends on short, punchy phrases, heavy repetition of catchphrases, and abrupt stops that let ad-libs fill the silence — so a beat in that lane needs clear drop-outs, a hook section that is distinct without adding new melodic material, and a loop that survives being rapped over for two and a half minutes. The same instrumental also fits the wider Michigan roster: Rio Da Yung OG's deadpan delivery, Babyface Ray's smoother pocket, Veeze's laid-back phrasing, and the more aggressive Flint type beat sound all sit comfortably on the same drum template. That versatility is the practical reason producers tag one beat with several artist names — it signals a range of usable flows rather than a single imitation. ## Free download versus paid lease on this beat The license terms on "Dirty Diana" are specific, and ignoring them is the most common way rappers get a copyright strike. The free version is for non-profit use only: YouTube and SoundCloud uploads without monetization, and no streaming services at all. Anything that generates revenue — Spotify, Deezer, Tidal, iTunes, or a monetized video — requires a purchased lease. Content ID registration is not permitted without an exclusive license, and credit to Prod. Kooba is mandatory on every release. A practical workflow looks like this: 1. Download the tagged file and record a reference verse to test whether the pocket suits your cadence. 2. If the song is going anywhere with money attached, buy the untagged file first so the mix is clean. 3. Keep the purchase receipt — leases specify stream and distribution limits you may need to prove later. 4. Credit the producer as Prod. Kooba in the title or description of every upload. 5. Skip Content ID entirely unless you have signed an exclusive deal. ## Where to find Kooba II and the rest of the catalog Kooba II distributes beats through BeatStars and posts new instrumentals and snippets on Instagram, so the fastest way to hear more in this style is to follow both channels. The BeatStars storefront is where leases, untagged files and bundle deals live, including the buy-2-get-1-free promotion attached to this release. Instagram is where short previews, placement news and beat-pack announcements tend to appear first, which matters if you want to record on a beat before other artists in the same lane do. Both links are listed in full below so you can check the current price and license tiers directly rather than relying on secondhand descriptions. ## Links from the video - Purchase the untagged beat: https://bsta.rs/JKnG5H - Kooba II on Instagram: https://www.instagram.com/prodkooba - Kooba II BeatStars store: https://www.beatstars.com/prodkooba ## Common questions from rappers auditioning this beat Most doubts around a free type beat come down to three things: whether the sound is genuinely usable for a full song, whether the license allows the release you have planned, and whether the beat is distinctive enough to avoid sounding like everyone else in the scene. On the first point, the drum pocket and sample chop on "Dirty Diana" are consistent across sections, which means a verse and hook recorded weeks apart will still sit together. On the second, the free tier is strictly non-profit — the moment a distributor is involved, you need the lease. On the third, the value of a sample-based Detroit instrumental is that the chop is unique to this beat even though the drum language is shared across the scene; two rappers can use the same template and still sound different because the melodic source is different. ## Summary "Dirty Diana" is a Detroit sample type beat from Kooba II that targets the YN Jay flow while remaining usable for Rio Da Yung OG, Babyface Ray, Veeze and Flint-adjacent styles. The free download covers non-monetized YouTube and SoundCloud only, credit to Prod. Kooba is required, and streaming releases need a paid lease. Kooba II walks through the beat in the player above and keeps the untagged file, bundle offer and license terms on the BeatStars storefront. If the pocket fits your cadence, [purchase the untagged "Dirty Diana" beat](https://bsta.rs/JKnG5H) before you record the final vocal. ## Questions & answers **Can I put a song on Spotify using the free version of this Detroit type beat?** No. The free license covers non-monetized YouTube and SoundCloud uploads only. Distributing to Spotify, Deezer, Tidal, iTunes or any other streaming service requires a purchased lease from the BeatStars store. **Do I have to credit Kooba II when I release a track over this beat?** Yes, credit is mandatory under the stated terms. List the producer as Prod. Kooba in the title, description or metadata of the upload, and keep the credit in place on every version of the song. **What does Content ID have to do with a leased type beat?** You cannot register a song over this beat with Content ID unless you hold an exclusive license. Registering a leased or free beat with Content ID can trigger a copyright strike against your own upload or against other users. **Is this beat only for YN Jay-style rapping?** No. The YN Jay tag describes the flow pocket, not a restriction. The same drum template works for Rio Da Yung OG, Babyface Ray, Veeze and Flint-style deliveries, so the beat can support several cadences within the Michigan sound.